F-9B & F-13A PILOT
1st PHOTOGRAPHIC GROUP & 1st PHOTOGRAPHIC CHARTING SQUADRON
9TH STRATEGIC RECONNAISANCE SQUADRON (VLR)
USAAF
MAD GREEK ENTERS THE USAAF
Paul A. Chapas was born in Spokane city, Washington on February 15, 1915. He was the son of Paul Chapas from Thessaloniki, Greece (15/4/1888) and Cora Virginia Bullock. Paul immigrated to the United States and settled in Washington state. Like many Greeks he engaged in the restaurant business and through hard work he managed to have his own, the well-known Richelieu Café in Seattle. When World War II erupted Paul tried to enter the United States Army Air Force (USAAF), however by January 1942 he was only a month away from being too old to qualify. For that reason, he turned for help to the reporters of the Seattle Post-Intelligencer newspaper. The reporters launched a campaign to catch the attention of the military decision-makers. According to Paul:
"These guys started writing little blurbs in the paper. Time was growing close. I was closing 26 years pretty soon."
On February 15 Chapas 26th birthday came and went without hearing from the USAAF with the young Greek American being disappointed, however, the reporters stepped up their efforts, admonishing the military for passing up the opportunity to sign him. Their efforts paid off and soon after Paul was invited to the office of John Boettiger, publisher of the Seattle Post-Intelligencer. During their meeting, Boettiger told him to visit him in his house and meet his wife, Anna Roosevelt Boettiger, the daughter of President Franklin Roosevelt! It was a chance that could not be lost.
"I told her my story. At least I was in a little better spirits. Soon after my mom got a radiogram from the War Department that said regardless of my age, I was to be inducted into the Air Force."
By October 1942 Chapas earned his silver wings and his 2nd Lieutenant’s bars and soon he was appointed to the 1st Photo Group, based in Douglas, Arizona, where he began flying reconnaissance mapping flights all around the world. He usually flew an A-29 twin-engine British plane equipped with three trimetrogon cameras mounted at different angles. The cameras timed to go off in certain intervals, snapped pictures from 20.000ft.
“Those cameras took pictures, so they overlapped. When the film was developed it made a mosaic of pictures that became a solid map.”
Paul's first flights along with his crew took place over Latin America, including Colombia, Ecuador, and Peru. Later Chapas was issued a brand-new B-25 Mitchell bomber, stripped from its armament, and flew up to the North Pole for another mapping expedition. From then on, whatever aircraft he was assigned would be dubbed “Margie’s Mad Greek” with a nose art showing a Greek wearing the traditional knee-length kilt-like garment, the fustanella, painted under the cockpit. He did that to honor his Greek heritage as well as his beautiful wife Margie Joyce Chapas (Hagen). Unfortunately, the picture of the first “Margie’s Mad Greek” can’t be found so far.
Later he got a brand spanking new B-17 Flying Fortress (“Margie’s Mad Greek II”), also stripped from his armament and sent to photo-mapping missions across the Atlantic, in places such as the Algiers and Cairo in North Africa. If the reconnaissance Fortress, known as F-9, needed to take cover it had the luxury of being able to maneuver quickly because it wasn’t carrying much weight. According to Paul:
"The objective was to take pictures, get off there, and not make contact with the enemy. We could outclimb anything or get right on the Mediterranean and shoot home 10 to 12 feet of the water."
Other memorable assignments included flying high-ranking officers from mapping HQ in Washington D.C. on a 90-day inspection tour over regions including Algeria and Italy, to see where the enemy installations were and to see the appropriate places from which allied troops could invade enemy territory. On the way from Washington D.C., the officers wanted to stop in Haiti to purchase rum! Another diversion was to Recife in Brazil, where a casino was there! During his two years of service, he landed in 33 different countries and returned home with a very long snort-shorter, which became viral in the local newspapers. Chapas had bills from West African countries and Gabon as well as from the more standard ones from Central America and North Africa. Many Allied airmen in World War II made souvenirs of their travels by collecting currency from all the places they visited. A "short snorter" was a collection of bills taped together, often signed by friends. When buying drinks, an airman who could not produce his short snorter was expected to buy a round for those who had theirs. In some cases, the person with the shortest snort or the fewest signatures would buy the drinks. Chapas flew more than 1.600 hours logging about 200 missions during this tour of duty. He proudly mentioned about his B-17:
"It’s my plane. It’s the best plane the Boeing people ever turned out, and we wouldn’t trade it for any other. Seattle Boeing workers can be mighty proud of it."
Paul Chapas portrait, most probably just before he joined the United States Army Air Force. (www.ancestry.com)
Paul Chapas poses for the camera in the rear door of his "MARGIE'S MAD GREEK II" F-9B wearing his bomber jacket. (The Desert Sun Newspaper)
One-half right front view from above of the Boeing F-9 "Margie's Mad Greek II" (42-30253) in flight, showing nose art and nickname painted by Robert Serotkin, somewhere over North Africa, 1944 The aircraft belonged to the 1st Photographic Group and most probably to the 1st Photographic Charting Squadron. (Nose Art Photography Collection [Serotkin], Acc. NASM.2000.4758, National Air and Space Museum, Smithsonian Institution)
The crew of the Boeing F-9 "Margie's Mad Greek II" (42-30253) pose in front of the left side of the nose of the aircraft, probably at Accra, 1944. Aircraft nose art was painted by US Army Air Forces Staff Sergeant Robert Serotkin, front row, left. The Greek American pilot, Paul Chapas can be seen standing, first from the left. (Nose Art Photography Collection [Serotkin], Acc. NASM.2000.4757, National Air and Space Museum, Smithsonian Institution)
Boeing F-9 "Margie's Mad Greek II" 42-30253 was the second aircraft with the nosart which honored Chapas Greek heritage abd his wife Margie. The first one, a B-25 is still uknown as we dont have any photo evidence yet. The designation F-9 (F for "Foto") was assigned to photographic reconnaissance conversions of existing B-17 bombers. This should not be confused with the F-for-Fighter designation scheme, which was not introduced until 1948. Sixteen B-17Fs were converted to long range photographic reconnaissance configuration by having their bombing equipment deleted and replaced by photographic equipment. Some cameras were installed in the nose and in the aft fuselage as well. These aircraft were redesignated F-9. Some defensive armament was retained. The designation F-9A was assigned to an unspecified number of B-17Fs that were converted to photographic configuration in a manner similar to that of the F-9 but differing in some camera details. All of these planes were redesignated F-9B after further camera changes. The designation F-9B was assigned to 25 photographic Fortresses obtained by adapting some existing F-9As and by converting other B-17Fs. The designation F-9C was assigned to ten B-17Gs converted for photographic reconnaissance in a manner similar to the F-9, F-9A, and F-9B conversions of the B-17F. Τhere is one photograph of a F-9C in which the chin turret of the B-17G has been replaced by a housing for tri-metrogen cameras. In 1948, the few surviving F-9Cs were redesignated RB-17G, the R standing for "Reconnaissance". (Copyright Bertrand Brown further info by www.joebaugher.com)
PACIFIC
After a well-earned leave, he returned to duty, this time in the Pacific, where he was assigned to the 9th Reconnaissance Squadron. This time a recon version of the famous B-29 Superfortress awaited him (RB-29 or F-13) on the Tarmac. Soon it was christened "Margie’s Mad Greek III", and the nose art reappeared under its cockpit. The enormous size of the bomber left a great impression on the Greek American pilot.
"I received a nice, new shiny B-29...As a pilot, I always had the thrill of controlling and maneuvering the airplane. With the B-29 it’s like sitting on the front porch flying the house."
Chapas and his crew were sent to Tinian, an island in the Northern Marianas where he flew Very Long Range (VLR) reconnaissance missions over Japan, almost 1.800 miles away.
"We’d go in and get the photographs in a designated area and get the hell out of there and head to South Korea. The bombers would bomb the area, and we’d go back and photograph what the bombers had gone. We did that until ENOLA GAY did its job."
Unfortunately we were not able to trace Paul’s career after the war. He and Margie Joyce Chapas (Hagen) were blessed with three children. Paul A. Chapas passed away on October 11, 2011, in Palm Springs, Riverside California.
A color image of Boeing F-19 "Margie's Mad Greek III" probably while flown by another crew in Korea. (Glenn Carman via https://b29s.thekwe.org/)
Boeing F-13 "Margie's Mad Greek III" 44-61843 was Paul Chapas third bomber. He used it while he was assigned to the Pacific most probably flying with the 9th Reconnaissance Squadron VLR. Later the bomber served in the 31st Strategic Recon Squadron (Which replaced the 9th and had identical markings) with another crew and fought in the Korea War. After the end of the hostilities it was attached to the 6091st RS named as "Don's Bald Iggles" and then transfered to China Lake for use as target. One B-29-BW (42-6412) was fitted with special camera installations for photographic reconnaissance work and redesignated F-13 (in the F- for photo reconnaissance series). The standard bombing equipment and defensive armament were retained. An additional 117 B-29-BWs and B-29As were similarly modified as F-13 and F-13A to carry three K-17B, two K-22 and one K-18 cameras with provisions for others. In 1948, the F-13s were redesignated RB-29 and RB-29A. (Copyright Bertrand Brown further info by www.joebaugher.com)
Close-up view of the left side of the nose of the Boeing F-13A (R-13A, RB-29A) "Margie's Mad Greek III" (44-61843), on the ground, showing SSgt. Robert Serotkin seated on a work stand, painting the nose art. (Nose Art Photography Collection [Serotkin], Acc. NASM.2000.0046, National Air and Space Museum, Smithsonian Institution)
Long one-half left rear view of nine Boeing F-13 (R-13, RB-29) reconnaissance aircraft lined up in Okinawa in 1945. (Nose Art Photography Collection [Serotkin], Acc. NASM.2000.4756, National Air and Space Museum, Smithsonian Institution)
An in-flight photo of the Boeing F-13A (R-13A, RB-29A) "Margie's Mad Greek III" (44-61843) during the Korean War, when it was attached to the 31st Strategic Reconnaissance Squadron. The squadron badge can be seen on the tail fin as well as the colorful star and bars of the United States Air Force. It must be noted that this was the emblem of the 9th Reconnaissance Squadron (approved 14 October 1946) It was later used by the 31st Reconnaissance Squadron when it replaced the 9th in 1947 at Yokota Air Base, Japan (USAF via www.worthpoint.com)
US Army Air Forces Staff Sergeant Robert Serotkin poses leaning against the propeller of the right outboard engine of the Boeing F-9 "Margie's Mad Greek II" (s/n 42-30253), probably at Accra, 1944. Serotkin painted the aircraft's nose art (visible at top right) as well as the names "Rose" and "Alice" visible on the two right-wing engine cowlings. The man posed beneath the right inboard engine is unidentified. One-half left front partial view of aircraft. (Nose Art Photography Collection [Serotkin], Acc. NASM.2000.4730, National Air and Space Museum, Smithsonian Institution)
"Short Snorter? Not a bit of it! Im a long snorter." So says Lt. Paul Chapas Jr, Seattle Flying Fortress pilot during his leave to see his parents, as he exhibits the string of 33 short snorter bills he's picked up in as many countries which he visited as a pilot of the mapping plane "Margie's Mad Greek". Margie is his wife, the former Margie Hagan of Seattle. (Seattle Star Photo by Fred Carter)
US Army Air Forces Staff Sergeant Robert Serotkin poses squatting in front of the nose of the Boeing F-9 "Margie's Mad Greek II" (s/n 42-30253), probably at Accra, 1944. Serotkin painted the aircraft's nose art (partially visible at the top right) as well as the names "Rose" and "Alice" visible on the two right-wing engine cowlings. The tail of another Boeing F-9 (s/n 42-30220) is visible in the left background. (Nose Art Photography Collection [Serotkin], Acc. NASM.2000.4732, National Air and Space Museum, Smithsonian Institution)
Close-up view of the left side of the nose of the Boeing F-13A (R-13A, RB-29A) "Margie's Mad Greek III" (44-61843), showing nose art painted by Robert Serotkin. Three unidentified men (probably the aircrew) pose standing in the foreground. (Nose Art Photography Collection [Serotkin], Acc. NASM.2000.4754, National Air and Space Museum, Smithsonian Institution)
Many thanks to Mindy Swift for providing us with a good copy of Paul Chapas photo via www.ancestry.com
Sources
1. "Persistence pays off for vet Paul Chapas", Denise Goolsby, The Desert Sun Newspaper, Friday, June 4, 2010.
2. "Lieutenant Chapas Returns Long on 'Short Snorters'", Stuart Whitehouse, The Seattle Star Newspaper, Thursday, April 13, 1944.
3. https://en.wikipedia.org/wiki/1st_Photographic_Group
4. https://www.joebaugher.com/
5. https://www.worthpoint.com/
7.https://www.flickr.com/photos/johnnycrabcakes/7838202784 (for the heading image)